[ad_1] Alex BaraschCulture editor After Ira Sachs’s “Passages” was hit with a rare NC-17 rating, in no small part for its explicit sex scene between two men, the IFC Center leaned into the controversy, programming a series that promised to “put the sin back in cinema.” “Passages” centers on a man (Franz Rogowski) who leaves… Continue reading Undercurrents of Power in Annie Baker’s “Infinite Life”