[ad_1] Confessional pop music has become freighted over the years by a kind of heightened expectation. Fans see more of pop stars now, in the quasi-candid precincts of social media, which means that fans believe themselves to have an understanding of pop stars, and there is a way in which songs or albums or music… Continue reading “Eternal Sunshine,” Reviewed: Ariana Grande Takes Romantic Inventory
Tag: Reviewed
Gustav Klimt at the Neue Galerie, Reviewed
[ad_1] The art of Gustav Klimt makes me feel as though I am face to face with God, if God is a charming, faintly trashy type who leers more than he enlightens and seems oddly desperate for my approval. Klimt’s mysticism is a kind of busy stagecraft, all confetti cannons and angels dangling from ropes.… Continue reading Gustav Klimt at the Neue Galerie, Reviewed
The 2024 Whitney Biennial, Reviewed
[ad_1] If every label in “Even Better Than the Real Thing,” the eighty-first installment of the Whitney Biennial, were peeled off the walls and tossed into the Hudson, what would happen? Some sections would get more confusing, of course. When you walked through the yellow-lit gallery on the museum’s sixth floor, you probably wouldn’t suppose… Continue reading The 2024 Whitney Biennial, Reviewed
“Gran Turismo” and “Fremont,” Reviewed
[ad_1] Encrusted with product placement, Neill Blomkamp’s video-game adaptation is flagrantly unembarrassed by its commercial obligations. [ad_2] Source link
“The Slip,” Reviewed: The Street That Shaped Agnes Martin and Ellsworth Kelly
[ad_1] Has anyone bothered to thank Pepsi for its crucial little role in American culture? The year was 1947, and a young Mississippi artist named Fred Mitchell was trying to expand his horizons. He entered one of his paintings in a contest and won a cash prize of fifteen hundred dollars—close to twenty grand today—courtesy… Continue reading “The Slip,” Reviewed: The Street That Shaped Agnes Martin and Ellsworth Kelly
“Passages” and “Lady Killer,” Reviewed
[ad_1] Ira Sachs’s relentlessly pessimistic film may look like a love triangle, but its shape keeps shifting right up to the bitter end. [ad_2] Source link
“Tom Lake,” Reviewed
[ad_1] In “Tom Lake,” Patchett returns to a familiar subject: the ambivalent interpersonal dynamics of closed groups. [ad_2] Source link
“Oppenheimer” and “Barbie,” Reviewed
[ad_1] Christopher Nolan sets the physicist in a swirl of Cold War conspiracy, and Greta Gerwig tries to imbue a story about the doll with a feminist critique of capitalism. [ad_2] Source link
“The Brothers Karamazov,” Reviewed | The New Yorker
[ad_1] “No, gentlemen of the jury, they have their Hamlets, while we still have only our Karamazovs!” Arguments are under way in the state’s case against Dmitry Karamazov, on trial for the murder of his father, Fyodor Karamazov, and for the theft of three thousand rubles from the old man’s room. In a crowded courtroom,… Continue reading “The Brothers Karamazov,” Reviewed | The New Yorker