[ad_1] When you first meet Tomas (Franz Rogowski), the impulsive, insatiable and utterly impossible filmmaker who propels nearly every scene of “Passages,” he’s darting around the set of his latest picture and berating his cast and crew. Why, he fumes, are the extras sitting around like idiots with their empty drink glasses? Why can’t an… Continue reading ‘Passages’ review: Romantic triangle has Sachs appeal