[ad_1] “Black Mirror,” the anthology series best known for dreaming up dystopian uses for near-future technology, took aim at its own network in the timeliest episode of its most recent season. Settling on her couch after a difficult stretch at work, a woman named Joan (Annie Murphy) logs on to Streamberry, a barely veiled stand-in… Continue reading Hollywood’s Slo-Mo Self-Sabotage | The New Yorker